Universitas Ahmad Dahlan, Yogyakarta - Indonesia
ORCID: http://orcid.org/0000-0001-5623-076X
Google Scholar:
https://scholar.google.com/citations?user=swASH6sAAAAJ
Women’s Socio-Political Dynamics in Indonesian Literature
Literary works have been believed to be media to spread ideas or ideology. This paper seeks to examine the images of women before Indonesia’s Reformation Era as reflected in Ahmad Tohari's Bekisar Merah and after the Reformation Era as reflected in Ayu Utami's Saman. By employing qualitative modes of inquiry and theories in the sociology of literature, this study has shown that images of women before and after Indonesia’s Reformation Era were depicted differently. Before Indonesia’s Reformation Era, the image of women tended to be submissive in dealing with the socio-political dynamics, while after the Reformation Era in 1998, they were depicted as progressive and even rebellious. However, it is also important to notice that this difference indicated the writers' political and ideological preference in describing the women’s position in Indonesian society in their era. The findings of this study support Gramsci's idea about ideological or cultural hegemony presented by literary work.
Keywords: the image of women; Indonesian literature, reflection; reformation era, society; socio-political dynamic
- Arimbi, D. A. (2009). Reading Contemporary Indonesian Muslim Women Writers: Representation, Identity and Religion of Muslim Women in Indonesian Fiction. Amsterdam: Amsterdam University Press. https://doi.org/10.5117/9789089640895
- Aveling, H. (2007). Indonesian Literature after Reformasi: The Tongues of Women. Kritika Kultura, 8, 5–26. https://doi.org/10.13185/1524
- Hatley, B. (1999). New directions in Indonesian women’s writing? The novel Saman. Asian Studies Review, 23(4), 449–460. https://doi.org/10.1080/10357829908713250
- Hellwig, T. (1994). In the Shadow of Change [Images of] Women in Indonesian Literature. Berkeley: Centers for South and Southeast Asia Studies University of California.
- Hellwig, T. (2012). Women and Malay Voices Undercurrent Murmurings in Indonesia’s Colonial Past. New York: Peter Lang.
- Jones, T. (2012). Indonesian Cultural Policy in the Reform Era. Indonesia, 93, 147–176. https://doi.org/10.5728/indonesia.93.0147
- Marching, S. T. (2007). The Representation of the Female Body in two Contemporary Indonesian Novels: Ayu Utami’s Saman and Fira Basuki’s Jendela-jendela. Indonesia and the Malay World, 35(102), 231–245. https://doi.org/10.1080/13639810701440699
- Mohd, T. U. M. (2006). In the Shadow of Change [Images of] Women in Indonesian Literature oleh Tineke Hellwig: Ulasan Kritis. Sari: Jurnal Alam dan Tamadun Melayu, 24, 161–172.
- Norquay, G., & Park, S. S. (2006). Mediating women’s suffrage literature. Women’s Studies International Forum, 29(3), 301–306. https://doi.
- org/10.1016/j.wsif.2006.04.006
- Nurhadi, N. (2007). Dari Kartini hingga Ayu Utami; Memposisikan Penulis Perempuan dalam Sastra Indonesia. Diksi, 14(2), 155–165. https://doi.org/10.21831/diksi.v14i2.6597
- Rampan, K. L. (2000). Angkatan 2000 dalam Sastra Indonesia. Jakarta: Grasindo.
- Selden, R. (1985). A Reader’s Guide to Contemporary Literary Theory. Bringhton: The Harvester Press Limited.
- Sofi, M. J. (2018). Politics of Female Identity in Traditional Java through the Prism of Pramoedya A. Toer’s Gadis Pantai. Walisongo: Jurnal Penelitian Sosial Keagamaan, 26(2), 345–364. https://doi.org/10.21580/ws.26.2.3181
- Tohari, A. (2005). Bekisar Merah. Jakarta: Gramedia.
- Utami, A. (1998). Saman. Jakarta: Kepustakaan Populer Gramedia.
- Wajiran, W. (2018). Polygamy and Muslim Women in Contemporary Indonesian Literature. Jurnal Humaniora, 30(3), 291–304. https://doi.org/10.22146/jh.34821
- Wajiran, W. (2019). Male’s Perspective on Women in Contemporary Indonesian Literature. Walisongo: Jurnal Penelitian Sosial Keagamaan, 27(2), 279–298. https://doi.org/10.21580/ws.27.2.4384
- Wajiran, W. (2020). Images of Women in Contemporary Indonesian Literature. University of Tasmania.
Copyright (c) 2020 Wajiran Wajiran, Dani Fadillah
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.