Representasi Identitas Muslimah Modern “Jilbab Traveler” dalam Novel Karya Asma Nadia

Article Sidebar

PDF
Published: Oct 31, 2020
DOI: https://doi.org/10.21580/jsw.2020.4.2.5878
Keywords:
jilbab traveler, modern female Muslim, Asma Nadia, Islam popular

Main Article Content

Rani Dwi Putri
Departemen Sosiologi, Universitas Gadjah Mada, Yogyakarta, Indonesia

Abstract

Following the fall of the New Order era, which encouraged media development and openness, Islam was positioned as a dominant identity in public spaces. Asma Nadia is one of the actors who is become one part of those phenomena. Her works in novels, films and soap operas have succeeded in combining modern elements with Islamic symbols and values. The theme of Jilbab traveler is one example. Applying text analysis focusing on three works of Asma Nadia’s novels, namely The Jilbab Traveler; Assalamualaikum Beijing; Jilbab Traveler: Love Sparks in Korea, this article reveals that Asma Nadia illustrates "jilbab traveler" as both agile and pious. The ambition to travel around the world accompanied by its inherent attributes represents the figure of “jilbab traveler” as an agile woman, while hijab (veil) presents an image of a pious woman. On the other side, the wearing of the veil becomes a distinction and provides such negotiation space and illustrates the hegemonic masculinity of patriarchal culture.

Downloads

Download data is not yet available.

Article Details

How to Cite
Putri, R. D. (2020). Representasi Identitas Muslimah Modern “Jilbab Traveler” dalam Novel Karya Asma Nadia. JSW (Jurnal Sosiologi Walisongo), 4(2), 117–132. https://doi.org/10.21580/jsw.2020.4.2.5878
Issue
Vol. 4 No. 2 (2020)
Section
Articles

The copyright of the accepted article shall be assigned to the journal as the publisher of the journal. The intended copyright includes the right to publish the article in various forms (including reprints). The journal maintains the publishing rights to the published articles. 

In line with the license, authors and any users (readers and other researchers) are allowed to share and adapt the material. In addition, the material must be given appropriate credit, provided with a link to the license, and indicated if changes were made. If authors remix, transform, or build upon the material, authors must distribute their contributions under the same license as the original.

References

Anderson, Jon W., dan Dale F. Eickelman. 1999. New Media in the Muslim World: The Emerging Public Sphere. Indianapolis: Indiana University Press.

Arnez, Monica. 2009. “Dakwah by Pen”. Indonesia and Malay World, 37 (107): 45-64.

Angkasa, Gaudensio. 2012. “Teori Postkolonial dalam Konteks Identitas.” Academia.Edu. Retrieved July 26, 2020 (https://www.academia.edu/13233569/Teori_Postkolonial_Dalam_Konteks_Identitas).

Barker, Chris. 2016. Cultural Studies Teori dan Praktik. Yogyakarta: Kreasi Wacana.

Barkin, Gareth. 2014. “Commercial Islam in Indonesia: How Television Producers Mediate Religiosity among National Audiences.” International Journal of Asian Studies 11(1):1–24.

Connell, R. W. 2005. Masculinities. 2nd ed. Calif: University of California Press.

Guindi, El Fadwa. 1999. Veil: Modesty, Privacy, and Resistance. New York: Oxford International Publishers Ltd.

Gramsci, Antonio. 1975. Prison Notebooks. The United States: Colombia University Press.

Gramsci, Antonio. 1971. Selections from Prison Notebooks of Antonio Gramsci. New York: International Publishers.

Hall, Stuart. 1992. Modernity an Introduction to Modern Societies. Ed. S. Hall. London: Blackwell Publishers.

Hall, Stuart. 1997. Representation Cultural Representations and Signifying Practices. London: SAGE Publications Ltd.

Heryanto, Ariel. 2011. “Upgraded Piety and Pleasure: The New Middle Class and Islam in Indonesian Popular Culture.” pp. 60–82, dalam A. N. Weintraub (ed.), Islam and Popular Culture in Indonesia and Malaysia, London: Routledge.

Heryanto, Ariel. 2015. Identitas dan Kenikmatan: Politik Budaya Layar Indonesia. Jakarta: Kepustakaan Populer Gramedia.

Huq, Maimuna. 1999. From Piety to Romance: Islam-Oriented Texts in Bangladesh. Indianapolis: Indiana University Press.

Jati, Wasito Raharjo. 2017. Politik Kelas Menengah Muslim Indonesia. Depok: LP3ES.

Jones, Carla. 2010. “Images of Desire: Creating Virtue and Value in an Indonesian Islamic Lifestyle Magazine.” Journal of Middle East Women’s Studies 6(3):91–117.

Lasman, Diah. 2010. “Representasi Anak Muda Prancis dalam Lirik Lagu Rap Karya Rohff.” Depok.

Moghadam, Valentine M. 1993. Modernizing Women: Gender and Social Change in the Middle East (Women and Change in the Developing World). Amerika Serikat: Lynne Rienner Publishers.

Nadia, Asma. 2012. The Jilbab Traveler. Jakarta: Asma Nadia Publishing House.

Nadia, Asma. 2014. Assalamualaikum Beijing. Jakarta: Asma Nadia Publishing House.

Nadia, Asma. 2015. Jilbab Traveler: Love Spark in Korea. Jakarta: Asma Nadia Publishing House.

Nilan, Pam, dan Michelle Mansfield. 2013. “Youth Culture and Islam in Indonesia.” Wacana, Journal of the Humanities of Indonesia 15(1):1.

Pamungkas, Arie Setyaningrum. 2015. “The Dakwah Media in Post Suharto Indonesia: From Politics of Identity to Popular Culture (The Case of Ummi).” Universität Zu Berlin, Berlin.

Piliang, Y. A. 2004. “Semiotika Teks: Sebuah Pendekatan Analisis Teks”. Mediator 5 (2), 169-198

Shafita, Maria. 2009. “Wacana Tentang Wacana dalam Media Massa: Tren, Identitas, dan Komoditas.” Universitas Indonesia, Depok.

Smith-Hefner, Nancy J. 2007. “Javanese Women and the Veil in Post-Soeharto Indonesia.” Journal of Asian Studies 66(2):389–420.

Utomo, Ariane, Anna Reimondos, Peter McDonald, Iwu Utomo, and Terence Hull. 2018. “Who Wears the Hijab? Predictors of Veiling in Greater Jakarta.” Review of Religious Research 60(4):477–501.

Udasmoro, Wening. 2017. “Reproduksi Women-hood dalam Novel Bunda: Kisah Cinta 2 Kodi Karya Asma Nadia”. Adabiyyat: Jurnal Bahasa dan Sastra, Vol 1 (2), 182-200

Weintraub, Andrew. 2011. Islam and Popular Culture in Indonesia and Malaysia. London: Routledge.